Cannes 2026 – The Milli Chronicle

Sunday, May 17, 2026

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Inside China’s ‘White Monkey’ Economy as Foreign Faces Become a Commercial Commodity
Black Mycologists and Foragers Expand Fungal Research Across the United States
Asia Argento and Jorge Thielen Armand Explore Colonial Legacy and Inherited Trauma in ‘Death Has No Master’
Italian Seaside Town Divided as Growing Peacock Population Sparks Debate
Pauline Hanson’s Resurgence Reshapes Australian Politics as Major Parties Shift Right

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NewsDesk MC May 17, 2026May 17, 2026 Afro-Venezuelan, Asia Argento, Cannes 2026, Cannes Film Festival, colonialism, Daria Nicolodi, Dario Argento, Death Has No Master, Directors’ Fortnight, giallo cinema, historical trauma, indigenous rights, inheritance, Jorge Thielen Armand, La Soledad, land ownership, Nicolás Maduro, oil industry, political conflict, psychological thriller, surrealist cinema, Suspiria, venezuela, Venezuelan cinema

Asia Argento and Jorge Thielen Armand Explore Colonial Legacy and Inherited Trauma in ‘Death Has No Master’

“It’s dealing with my own nightmares, and my own childhood, and the way I was brought up, and my own