Cannes Film Festival – The Milli Chronicle

Sunday, May 24, 2026

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NewsDesk MC May 24, 2026May 24, 2026 All of a Sudden, Andrey Zvyagintsev, Cannes Film Festival, cinema industry, Coward, Cristian Mungiu, Emmanuel Marre, European cinema, Fatherland, film awards, film criticism, Fjord, international films, Lukas Dhont, Minotaur, Notre Salut, Palme d'Or, Pawel Pawlikowski, Ryusuke Hamaguchi, Sebastian Stan, Tao Okamoto, The Dreamed Adventure, Valeska Grisebach, Virginie Efira

Cannes Jury Highlights European Cinema as Fjord Takes Palme d’Or Amid Debate Over Festival’s Top Honors

“The personal is fused with the political in a thrilling way.” The 2026 Cannes Film Festival concluded with a slate

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NewsDesk MC May 17, 2026May 17, 2026 Afro-Venezuelan, Asia Argento, Cannes 2026, Cannes Film Festival, colonialism, Daria Nicolodi, Dario Argento, Death Has No Master, Directors’ Fortnight, giallo cinema, historical trauma, indigenous rights, inheritance, Jorge Thielen Armand, La Soledad, land ownership, Nicolás Maduro, oil industry, political conflict, psychological thriller, surrealist cinema, Suspiria, venezuela, Venezuelan cinema

Asia Argento and Jorge Thielen Armand Explore Colonial Legacy and Inherited Trauma in ‘Death Has No Master’

“It’s dealing with my own nightmares, and my own childhood, and the way I was brought up, and my own

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NewsDesk MC May 12, 2026May 12, 2026 Abbas Kiarostami, Akram Khan, Anish Kapoor, arthouse film, artistic process, Cannes Film Festival, contemporary dance, cultural interviews, directing debut, documentary filmmaking, European cinema, filmmaking, French actors, French cinema, In-I In Motion, independent film, Jafar Panahi, Juliette Binoche, Michael Haneke, MoMA, performance art, Robert Redford, theatre and dance, women and violence

Juliette Binoche Explores Vulnerability, Violence and Reinvention in First Film as Director

“If you’re attached to status, I think you’re losing possible opportunities for art.” French actor Juliette Binoche has built an