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Friday, April 24, 2026

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“Even for children who survive a blast, the cascading effects can be felt in every aspect of their lives.”
Actor-turned-playwright explores identity, colonial legacy in long-gestating debut staged by Royal Shakespeare Company
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NewsDesk MC April 24, 2026April 24, 2026 Amanda Laird, British theatre, calypso music, Caribbean identity, Casualty TV show, colonial legacy, cultural archives, diaspora experience, Driftwood play, Eric Williams, family separation, Identity Politics, language and culture, patois, postcolonial studies, Royal Shakespeare Company, sepsis recovery, St Kitts, steel bands, theatre writing, Trinidad history, Trinidad independence, Verity Bargate Award, women in theatre

Actor-turned-playwright explores identity, colonial legacy in long-gestating debut staged by Royal Shakespeare Company

“It all had to just crack open. Afterwards, the world seemed to me beautifully upside down.” British actor and writer