Tate Modern – The Milli Chronicle

Tuesday, May 19, 2026

Latest:

Tracey Emin and Frida Kahlo Recast Illness and Disability Through Unflinching Self-Portraiture
Artists and Performers Pay Tribute to Radical Feminist Pioneer Valie Export After Her Death
UK Music Venues Turn Spare Rooms Into Artist Accommodation as Touring Costs Threaten Grassroots Scene
Indonesia, Malaysia Demand Release of Activists Detained by Israel in Gaza Flotilla Interception
Pakistan Court Hands Death Sentence in Murder of Teen Influencer Sana Yousaf

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NewsDesk MC May 19, 2026May 19, 2026 art and disability, autobiographical art, autobiographical painting, body politics, cancer recovery, chronic illness, contemporary art, disability in art, feminist art, Frida Kahlo, Hayden Herrera, Maria Balshaw, medical trauma, modern art, My Bed, My Birth painting, post surgery art, self portraiture, self representation, squamous cell bladder cancer, Tate Modern, The Broken Column, Women Artists

Tracey Emin and Frida Kahlo Recast Illness and Disability Through Unflinching Self-Portraiture

“This is mine, I own it.” — Tracey Emin on documenting her post-surgical body after cancer treatment A series of

NewsDesk MC March 31, 2026March 31, 2026 Art Basel, art criticism, Carsten Höller, Cézanne, contemporary art, Documenta, Emily Jacir, exhibitions, global art market, Goya, Grenfell, immersive art, installations, Manet, Philippe Parreno, Rijksmuseum, Steve McQueen, Tate Modern, Tino Sehgal, UBS report, Venice Biennale, Vermeer, Yayoi Kusama

Art Criticism Under Pressure: Memory, Subjectivity and the Limits of Judgement in Contemporary Practice

“What do I really think when the deadline arrives and certainty refuses to follow experience?” Art criticism, even when grounded