A London-based performer known by the stage persona Midgitte Bardot is using drag, writing and live performance to examine social attitudes toward dwarfism, gender identity and public scrutiny, drawing on personal experience to inform their work on prominent cultural stages.

The artist, who identifies as a non-binary trans drag performer with dwarfism, has gained recognition for combining provocative performance with autobiographical storytelling.

Appearing in fishnets and theatrical costume as Midgitte Bardot, they have developed a reputation for performances that challenge audience expectations and address issues of identity, representation and social perception.

Their work gained wider attention through participation in Sound of the Underground, a queer cabaret revue created by Travis Alabanza. In one performance, the artist delivered a blues-rock number while elevated on stage equipment, incorporating visual and thematic elements that drew a strong audience response at the Royal Court Theatre.

The performer has since returned to the stage with a new production, Shooting From Below, presented at the Southbank Centre. The show marks their first major appearance following spinal surgery undertaken after a condition that risked paralysis.

According to the performer, spinal complications are relatively common among individuals with dwarfism, and their own condition involves curvature in the lower spine.

The production centres on a fictional narrative in which the stage character addresses an audience directly, framing the performance around themes of historical marginalisation and contemporary objectification.

The performer cites examples, including accounts of individuals with dwarfism being treated as novelty figures in social settings, to illustrate ongoing patterns of exclusion and commodification.In interviews, the artist has described frequent public interactions that they say reflect intrusive curiosity and harassment.

They report being stared at, filmed without consent and subjected to personal questions in public spaces, including inquiries about their body, family background and personal relationships. Such encounters, they say, occur regularly in everyday settings such as streets and public transport.

The performer notes that these experiences have shaped both their artistic direction and personal outlook. While they emphasise that such behaviour does not represent the majority of interactions, they argue that it reflects broader social attitudes toward visible difference.

They also describe concerns about being followed after initiating casual conversations in public, which they say has influenced how they navigate social situations.Their work engages with historical representations of dwarfism in entertainment, which they describe as marked by exploitation and limited roles.

They reference examples from film and popular culture in which individuals with dwarfism have been depicted as symbolic or comedic figures, often reinforcing stereotypes. According to the performer, opportunities in the arts sector can be accessible but frequently involve forms of representation that they consider reductive.

The performer also references historical accounts, including the case of a family of performers with dwarfism who survived detention during the Holocaust after being selected for medical experimentation by Nazi physician Joseph Mengele.

They cite this example to illustrate what they describe as a contradictory dynamic in which individuals with dwarfism have been both marginalised and subjected to intense scrutiny.Midgitte Bardot, as a stage persona, is intended to challenge these dynamics by reclaiming language and reframing identity through performance.

The artist says the name deliberately references a historically derogatory term, recontextualised to assert control over its meaning. Through humour and narrative, the performances incorporate personal experiences, including instances of rejection and discrimination, into structured theatrical material.

The artist describes their approach as rooted in self-acceptance and visibility. They say their earlier life was shaped by attempts to conform, but that their current work reflects a conscious decision to foreground difference as a central element of their identity.

They also link this perspective to their understanding of gender, noting that their experiences have informed their identification as non-binary.Born in Gloucester and raised in Cheltenham, the performer recalls early experiences of being perceived as different from peers, which led them to begin writing at a young age.

They continued to develop this practice academically, studying creative writing at Liverpool John Moores University, where they graduated with top honours.During their university years, they began participating in literary and performance events, including hosting open mic nights.

Their transition into drag performance followed encouragement from peers, including a fellow performer known as Auntie Climax. The Midgitte Bardot persona gained local recognition in Liverpool, leading the artist to relocate to London in 2021 to pursue broader opportunities within the performance circuit.

The performer says their understanding of gender identity evolved alongside their work in drag. They describe observing differences in how they and others were perceived in public, particularly in relation to attention and scrutiny, which contributed to their self-identification as non-binary trans.

They also emphasise the importance of directly addressing harassment, rather than ignoring it. According to the performer, confronting such behaviour can deter repeat incidents and challenge assumptions about vulnerability.

They argue that advising individuals with dwarfism to avoid confrontation may reinforce perceptions of weakness.Looking ahead, the performer says they hope their current production will resonate with other individuals with dwarfism and contribute to the development of a more supportive community.

They note that their experiences performing in major venues are often marked by isolation, as they are frequently the only person with their physical characteristics on stage.

Their work continues to explore how visibility, performance and narrative can be used to address social attitudes, with a focus on expanding representation and creating space for more diverse perspectives within the arts.

These programs focus on improving craft techniques and connecting skills to local markets while promoting cultural heritage and economic development.

Trainees completed courses covering advanced craft skills and product marketing strategies to achieve professional sustainability.

Handcrafted items are now displayed at Abha International Airport to reach a wider audience and transform traditional skills into business opportunities for artisans.

The initiative supports the growth of the handicraft sector and encourages entrepreneurship in the region. It also helps preserve the Al-Qatt Al-Asiri artform and promotes Saudi cultural identity to visitors and tourists.

Artisans gain practical experience and guidance to market their creations effectively. The program strengthens local business networks and provides a pathway for sustainable income and professional development.

Through these efforts, traditional arts are integrated into the economy while fostering creativity and innovation. The project aligns with the Kingdom’s vision of enhancing the role of cultural heritage in modern economic sectors.

Training and exposure enable artisans to expand their influence beyond local markets. They are encouraged to innovate and maintain high standards in craftsmanship while supporting the growth of cultural tourism.

This professional approach helps turn hobbies into viable careers and reinforces the economic potential of Saudi handicrafts. It also raises awareness of regional culture and builds long-term opportunities for future generations of artisans.

The event brings together artisans, visitors, and cultural enthusiasts in an immersive experience that highlights the authenticity of Jazan’s traditional life, culture, heritage, crafts, artisans, craftsmanship, tradition, creativity, Saudi culture, cultural tourism, community engagement, local identity, cultural revival, cultural pride.

At the heart of the market is an interactive heritage pavilion that showcases traditional lifestyles, folk customs, and community practices that have been passed down through generations.

Visitors can explore displays featuring local games, traditional clothing, women’s adornments, and culinary delights that reflect the charm and warmth of the Jazan community, folk culture, traditions, culinary heritage, local art, cultural experiences, historical preservation, community heritage, cultural diversity, traditional lifestyle, tourism.

The initiative is organized by the Alrowad Youth Association and the Cultural House as part of the Year of Handicrafts, a national effort to promote and preserve Saudi Arabia’s rich cultural legacy.

The event beautifully combines education and entertainment through interactive storytelling and live demonstrations that connect younger generations to their cultural roots, youth engagement, cultural education, handicrafts, heritage conservation, national culture, youth empowerment, education through art, storytelling, heritage awareness, creative expression.

By reviving traditional crafts and showcasing the skill of local artisans, the market serves as a powerful reminder of the importance of cultural continuity.

Visitors have the opportunity to participate in live workshops, learn from expert artisans, and appreciate the craftsmanship that defines the region’s creative spirit, artisan workshops, handmade crafts, traditional art, skill development, artistic heritage, local economy, craft promotion, creativity, empowerment, experiential learning.

The cultural market also contributes significantly to Jazan’s economy by providing artisans and small business owners a platform to showcase and sell their handmade products.

This not only supports local craftsmanship but also strengthens community ties and inspires entrepreneurial spirit among youth and women, entrepreneurship, local economy, creative industries, women empowerment, youth innovation, handmade products, local businesses, sustainability, inclusive growth, creative economy.

Every Friday and Saturday, the Cultural House hosts engaging workshops covering a wide variety of traditional crafts such as pottery, sculpture, embroidery, palm frond weaving, candle and perfume making, leather arts, Arabic calligraphy, seashell crafts, and jewelry design.

These sessions allow participants to engage in cultural learning while creating tangible pieces of art that reflect Saudi Arabia’s rich artistic legacy, pottery, sculpture, embroidery, calligraphy, weaving, craftsmanship, heritage workshops, creative skills, art education, cultural innovation.

Through these weekly events, the market has become a gathering place for families, artists, and visitors to celebrate the beauty of local creativity.

The lively atmosphere, filled with music, colors, and the scent of traditional foods, creates a memorable experience that captures the essence of Jazan’s welcoming spirit, family activities, cultural tourism, entertainment, community gathering, heritage celebration, creative culture, experiential tourism, festive atmosphere, local traditions.

The initiative not only preserves Jazan’s cultural identity but also enhances national awareness about the importance of heritage preservation.

By encouraging participation from schools, youth associations, and local communities, the event ensures that the legacy of traditional crafts continues to inspire future generations, heritage education, youth participation, cultural sustainability, national pride, identity preservation, traditional knowledge, cultural awareness, intergenerational learning, community spirit, heritage protection.

As Saudi Arabia continues to advance its Vision 2030 goals of promoting culture and tourism, the Jazan crafts market stands as a shining example of how tradition and modernity can harmoniously coexist.

It bridges the past and present through creativity and cultural appreciation, offering visitors a glimpse into the region’s soul, Vision 2030, cultural tourism, national heritage, sustainability, innovation, culture and creativity, modernization, economic diversification, tourism development, cultural preservation.

The Jazan crafts market symbolizes more than an event—it is a movement toward preserving cultural heritage while embracing progress.

It reflects Saudi Arabia’s ongoing dedication to nurturing creativity, empowering artisans, and connecting communities through shared heritage, unity, creativity, progress, sustainability, heritage revival, cultural development, artistic empowerment, national unity, creative culture, future generations.

In a world driven by rapid change, Saudi Arabia’s creative community is demonstrating that heritage is not a limitation but an inspiration.
Across industries — from jewelry to architecture and beauty — innovation is being redefined as an evolution of tradition rather than a departure from it.

At the heart of this movement are women innovators who are weaving cultural heritage into modern design. Their message is clear: the future of creativity lies in honoring the past while embracing the possibilities of tomorrow.

Princess Nourah Al-Faisal, founder of Nuun Jewels, captured this spirit at the Creative Women Forum. She emphasized that cultural roots give creativity its identity, while innovation gives it direction and strength.

Institutions like the Royal Institute of Traditional Arts, known as Wrth, are leading this transformation. Dedicated to merging preservation with progress, Wrth ensures that traditional arts form the foundation for modern education.

Suzan Alyahya, CEO of Wrth, highlighted the dynamic nature of Saudi heritage. “We see traditional arts as a moving, dynamic force, not a static remnant of the past,” she said, describing how students are encouraged to link identity with innovation.

Founded in 2021, Wrth’s programs empower citizens in crafts and design, supporting sustainable cultural growth. Courses range from pottery and Sadu weaving to master’s degrees in product development and digital heritage.

Technology, often seen as a rival to human creativity, is being reimagined as a partner in artistic expression. In Wrth’s philosophy, innovation through digital tools is not about replacing heritage but enhancing it.

Amal Abduljabbar, general manager of education and research, believes technology extends rather than threatens cultural authenticity. “Technology is not a threat to authenticity in any way. It’s an extension of our human story,” she explained.

She described how AI and virtual reality can protect and promote heritage. From monitoring historical sites to creating immersive storytelling experiences, digital tools amplify the emotional power of culture.

Abduljabbar added that identity itself evolves through values that must remain embedded in education and research. By nurturing these values, Saudi creatives are ensuring their innovations stay true to their roots while embracing modern perspectives.

Innovation also extends beyond education and technology into lifestyle and design sectors. The beauty industry, for instance, is showcasing how local inspiration can lead to global relevance.

Asteri Beauty, founded by Sara Alrashed, is pioneering products tailored to the region’s climate and culture. Her brand challenges global norms by crafting makeup suited for Arab women’s unique features and the desert environment.

“In the beauty industry, there is nothing that truly caters to Arab women, not just for their features, but also for the weather,” Alrashed said. Her approach merges scientific innovation with cultural storytelling, giving beauty a sense of place and identity.

These efforts show how Saudi entrepreneurs are turning tradition into a platform for sustainable creativity. Whether through design, craftsmanship, or technology, they are proving that cultural heritage remains the ultimate muse.

The broader consensus emerging from these creative voices is deeply optimistic. Authenticity is no longer viewed as an anchor holding innovation back but as a compass guiding it forward.

Saudi Arabia’s cultural evolution is reshaping global conversations about creativity and identity. By bridging the gap between past and future, the nation is crafting a model of progress that values memory as much as imagination.

The movement demonstrates that when innovation and heritage walk hand in hand, creativity becomes limitless. It is a future where every design, product, and idea carries the essence of culture — alive, dynamic, and endlessly inspiring.