Singer-songwriter Angelo De Augustine has described a prolonged and debilitating illness that disrupted his career at a critical moment of rising recognition, forcing him into years of recovery and prompting a reassessment of both his creative process and personal priorities.

De Augustine said the episode began on Halloween in 2022 at his home in Los Angeles, when he experienced acute neurological symptoms before collapsing. Family members transported him to hospital, where he underwent several days of testing.

Despite extensive evaluation, doctors were unable to establish a definitive diagnosis and discharged him with instructions to return if symptoms worsened significantly.“I was conscious most of the time,” he said, noting that he experienced impaired hearing, limited vision and loss of motor control. He added that he retained only partial memory of the episode.

Following his discharge, De Augustine remained physically incapacitated and uncertain about his prognosis. During this period, he focused on completing Toil and Trouble, an album he had been working on for approximately a year prior to the incident.

He said the decision was driven by both professional commitment and concern about his health outlook. “I didn’t think I would survive the illness,” he said, adding that he was unable to perform routine physical tasks while finishing the project.The album was released in 2023, adding to a catalogue that had been gaining attention in recent years.

After his debut Spirals of Silence in 2014, De Augustine signed to Asthmatic Kitty for his 2017 album Swim Inside the Moon. He later collaborated with Sufjan Stevens on the 2021 album A Beginner’s Mind. His 2019 track Time, from the album Tomb, gained wider exposure after being featured in the 2023 film A Good Person, becoming his most streamed song.

However, De Augustine said he was unable to engage with the increased attention due to his health condition.In the years following the illness, he underwent a gradual rehabilitation process that included relearning basic functions such as walking, speaking, hearing and performing music.

He described recovery as uneven, characterised by incremental improvement interspersed with setbacks. He temporarily returned to live with his mother due to his inability to manage daily activities independently.

De Augustine said emerging scientific discussions around the central nervous system may offer some explanation for his condition, although he emphasised that no formal diagnosis has been confirmed. He referred to the concept of allostatic load, describing it as the cumulative burden of chronic stress on the body’s regulatory systems.

According to his account, prolonged stress may have contributed to a breakdown in normal neurological functioning, leading to widespread physical symptoms. He identified the pressures associated with sustaining a career in the music industry as a potential contributing factor.

During recovery, he introduced structured physical and mental exercises into his routine and reported gradual improvement. He also identified therapeutic benefits from water-based activity, noting that symptoms temporarily subsided while he was in a pool, which he interpreted as an indication of stress-related triggers.

The experience has informed his subsequent album, Angel in Plainclothes, which incorporates themes of physical vulnerability and altered perception. De Augustine said several tracks reflect on the loss and gradual return of sensory and cognitive functions. He described one of the lead songs as capturing a sense of detachment from reality, comparing it to observing life without feeling fully present.

Due to physical limitations, De Augustine departed from his earlier approach of independently recording and producing his music. Instead, he collaborated with other musicians and producers, including Thomas Bartlett, who contributed piano arrangements, and Jonathan Wilson, who provided studio space and instrumentation.

His mother, a professional vocalist, also contributed to the recording process.He said the album’s sound was shaped in part by the use of a range of unconventional and antique instruments, reflecting an ongoing interest in exploring varied tonal textures. Recording sessions were conducted intermittently, depending on his physical condition at the time.

De Augustine resumed live performances in 2025 after a five-year hiatus, describing the experience as a controlled reintroduction to public performance. He said the return involved measured steps rather than a full-scale resumption of touring, citing ongoing health considerations.Reflecting on the period, De Augustine said the illness led him to reconsider his earlier approach to music and work.

He indicated that a singular focus on songwriting may have contributed to prolonged stress, and said his current priority is maintaining a more balanced lifestyle while continuing creative work.

He described his present condition as a combination of partial recovery and adaptation, noting that he does not yet consider himself fully restored to his previous state.